Wiley 978-0-470-76878-5 Scheda Tecnica

Chapter 1: Working with Light and TimeIn This Chapter✓ Shooting into the sun✓ Working with low contrast✓ Putting the sun to the side✓ Fading with the

574Inside-Out Bobcat (ISO 100, f/4, 1/1000 second, Nikon Nikkor 28mm f/3.5 AI) 2009Option Setting NotesISO 100 Subject shot in strong lightAperture f

575Book IXChapter 1Working with Light and TimeFabulous FireworksFabulous FireworksDon’t skimp when you take photos of fireworks — take as many picture

576Fabulous Fireworks Take snacks, beverages, a blanket, and possibly a lawn chair to sit on while you watch the show and take your photos. And don’t

566High-Contrast Sunset in HDR(ISO 100, f/8, 1/320 second, Sigma 10-20mm F4-5.6 at 10mm ) 2009Bracketing the scene allowed me to point directly into t

567Book IXChapter 1Working with Light and TimeLow-Contrast Cloudy EveningLow-Contrast Cloudy EveningThis scene presents the opposite challenge from sh

568Sunlit from the SideSunlit from the SideYou never know when you’re going to get a truly nice-looking photo. I real-ize that my statement sounds str

569Book IXChapter 1Working with Light and TimeJust Past Dusk (Or Thereabouts)Just Past Dusk (Or Thereabouts)Unlike the photo in the earlier section “S

570Casting a Shadow Don’t waste your time going out and setting up your equipment, shooting five or six shots, and then wrapping up and going home. Go

571Book IXChapter 1Working with Light and TimeCasting a ShadowMy wide-angle lens helped capture the lake and made it feel large. (ISO 100, f/8, 1/200

572Lightning CrashesLightning CrashesOne good thing about storms, unlike other exterior subjects such as moun-tains or the ocean, is that they’re ever

573Book IXChapter 1Working with Light and TimeInside-Out Bobcat Do not take unnecessary risks for a photograph. Shooting during storms, especially whe